Translator: Yoyi el Monaguillo


Not all things on my “planet” are bad.  It’s true that almost nothing works properly and the dilapidation is very noticeable, but, in spite all of these years of frustrations, sacrifices, losses, and painful goodbyes, there’s also something that keeps going: friendship and the warmth among some friends.

A couple of nights ago we had the immense pleasure and privilege of being invited to a cordial evening at the home of a friend.  The main attraction consisted of a mini violin concerto, with which Maestro Evelio Tieles congratulated the host.

It was marvelous to hear that beautiful, impeccably performed medley by the famous violinist.  Beginning with Manuel de Falla’s Nana, he went on to present, note by note, a review of the most beautiful Cuban music of all time:  Veinte Años, Quiéreme Mucho, La Bayamesa, La Tarde, and, as a finale, El Mambí.

As marvelous as the interpretations of such precisely chosen pieces were, equally good were the conversations after, spanning the most varied topics.  We left feeling more than grateful for such an unexpected invitation, like one who emerges from a radiant shower of light.

This undeserved privilege was complimented by another invitation, last Sunday, this time extended personally by the Maestro: a piano and violin recital at the Basilica of San Francisco, in the heart of Old Havana.  The chosen setting couldn’t have been better.

On this occasion, the strings and bow plucked by Tieles brought us the whims of Paganini, those nocturnes by Chopin, and crowned the majesty of the repertoire with Schumann’s Sonata in A Minor, Opus 105.

It seemed as if sparks flew off the strings of the violin, to say nothing of the trial faced by Yamilé Cruz, the young accompanying pianist, who soared before the challenge imposed by the mastery of the multi-award winning Evelio Tieles.  It was a magical evening, wherein the absence of figures from the nomenklatura and propagandistic introductions was noted with pleasure.

Translated by: Yoyi el Monaguillo

"Now We Are Going to Construct Socialism!"

I still haven’t gotten over my amazement upon hearing, on the short-wave radio, of course, the unbelievable declarations that would be made by the Guru of my little planet to a North American journalist: “The Cuban model can’t be exported, because it hasn’t worked even in Cuba.”

Of course, whoever doesn’t have a short-wave radio here, has neither heard nor possibly will hear about this, since the daily papers haven’t published such statements up until now. These took me back to those statements of December 27, 1986, when this very same figure said: “Now we’re really going to build socialism!”

At that moment, many well-intentioned citizens asked themselves: ‘So, what were we doing until now?’

I think that it shows a great lack of respect, or sensitivity, to make such assertions. If something isn’t working and is detrimental to no more and no less than 11 million people, not counting the almost 3 million in the diaspora, how is it possible that it’s insisted upon? What consolation can be given to those millions who’ve lost relatives, because they’ve died trying to cross the sea, or who’ve been forced by these very measures (which don’t work) to leave the country, leaving behind elderly parents and even children, in search of freedom and better opportunities? And what can be said of those of us who, for a wide range of reasons, haven’t wanted to leave the country and have lost our youth waiting for change? I believe they’ve had 51 years to prove that the model wasn’t working, so, why insist on keeping it going at all costs?

Translated by: Yoyi el Monaguillo

Painting on silk, by Rebeca

It’s very sad, indeed it is!  They leave you a tremendous emptiness and you feel as if something broke inside of you.

In all parts of the world friends come and go, because they travel.  They’re lost for a time and then reappear, they call you on the cell phone, you send them messages, they reply.  But, here “on my planet,” when a friend leaves, it’s as if something died inside you.  You know you won’t see them again in many years, maybe ever.  You also don’t have a cell phone to call him or her, never mind the Internet, facebook, and all those marvelous things not at the disposal of the immense majority of us.

In my case, in particular, almost all my friends have gone away on me, but since I’m so stubborn, I make new ones. It’s not an easy thing. Above all, they have to speak your language (as you know), otherwise it’s very difficult to converse.

A few years ago one of my most beloved friends left me.  We wrote letters to each other for a while, we dreamed of sitting down together over a cafecito to chat here at home, or at the Versailles*, it didn’t matter to us.  My friend died and we never got to fulfill that dream.

Now, a great friend of ours has just left. We’re happy for him, but he’s left behind a tremendous emptiness.

This situation has been going on continuously now for half a century.  Too much time!  When they say goodbye, because they’re going to travel, it’s about time for families and friends not to have to leave us with that bitter taste in our mouths and that terrible sensation in the pit of our stomachs.

*Translator’s note: Rebeca is referring to the Versailles Restaurant, a now legendary and iconic dining institution among Southern Florida’s Cuban community; located on Calle Ocho (8th Street) in Little Havana.

Translated by: Yoyi el Monaguillo

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